Before, there were two, which you had to continually switch between.Īs well as being editable via the overlay, the coarse pitch and micro-tuning for note segments can be adjusted via the sliders in the VariAudio tool panel, as previously, but now there’s a new Shift Formant slider, too. As before, VariAudio analyses audio for pitch and timing information and displays the results as an overlay on the audio waveform that you can manipulate in the editor.īut this latest incarnation, VariAudio 3, has simplified this by adding more handles and widgets to the note segments it draws, and by packing all interactions into a single cursor tool. One of the more obvious improvements is to Cubase’s VariAudio system, which allows detailed interactive pitch and time adjustments to be made to monophonic audio sources such as vocals. The panels for the various processors have been given a cleaner, less cluttered design, and they can now be rearranged directly in the channel-strip tab. The channel strip – as in the set of default processing slots for gate, EQ and compression that exists on every channel – has also had a visual overhaul when viewed in a channel settings window.
I don’t mind this in the mixer windows, as a flat-designed fader or knob would seem wrong to me, but it does jar a little bit in the main Project window.
That said, the new design approach hasn’t made it into every nook and cranny of the program, with skeuomorphic design still in evidence in the Track Inspector, on track heads, and in mixer windows. Without taking sides in that larger debate, I personally find the new look to be crisp, clear, and perfectly readable – I like it.
This is a brave move, given the arguments that rage online about the comparative merits of flat vs ‘skeuomorphic’ interface design principles (the latter being where icons use design cues, shading and shadows that mimic their real-world counterparts as a way of communicating their meaning and state). The general layout remains the same as in the last few versions, but buttons and icons have been redesigned and given the ‘flat’ look that’s currently in vogue with graphic designers. The thing you notice immediately upon launching Cubase Pro 10 is that it’s received a makeover.
#Cubase 10.5 pro price full
A full comparison chart is available on Steinberg’s website if you wish to examine the specific differences.
#Cubase 10.5 pro price update
In reality, this is about the 20th-or-so version (depending on how you count it), but is the 10th full-version update since Cubase SX, which was the last time the core program had a major overhaul.Īs with previous releases, Cubase 10 comes in a few different flavours to suit the different requirements and budgets of users: Cubase Pro 10 (£480), which we’re looking at here, is the full bells-and-whistles package stuffed with features, tools, and piles of plug-ins Cubase Artist 10 (£265) sheds the most advanced features of Pro, as well as some of the higher-end plug-ins, but retains the application’s core functionality and features finally, Cubase Elements 10 (£85) is the most cut-down edition, being aimed at casual users, beginners, and those with only basic requirements. Losing countĪs you would expect with such a venerable program, there have been many versions of Cubase over the years. And despite the years of evolution, not to mention the occasional ground-up rewrite, at its heart, the modern Cubase remains recognisable as the same program that supercharged the digital music-production revolution all those years ago.
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